The very first week that I submitted cartoons to the New Yorker was in June 0f 2002. I took the train down from Boston and took this issue back home with me:
So Harry Bliss‘ public library lion has always kind of been on my brain. It’s a great image. One day this spring after I had been in Bryant Park I was revisiting those lion statues and thought of this idea, which eventually made it’s way online and into the magazine this week.
The cat is the well-known public figure whose name is actually Tardar Sauce (according to her Wikipedia page which will be longer than mine ever will be), probably appearing in the New Yorker for the first time, at least in print. Also a first-time thing for me is using a tool other than a scratchboard knife. I wanted the trees to be a texture other than that which I could create with my own hand, so they’re the result of a sponge dipped in ink. Yes, this was a crafts project! I did not do dishes with the same sponge afterward.
(It is a lie that it’s the first time I used a sponge – I used a sponge a little bit in last week’s cartoon about guy-dominated startups, but I had drawn this one first, and I’ve already started writing this blog post.)
So, for those who read my entry on Jane Mattimoe‘s A Case for Pencils blog, consider the process to be updated. Knives and sponges it is. And while we’re talking cats, a true confession: I really wanted to see the Acro-Cats circus this weekend in Brooklyn – come on, cats playing cowbell! – but the shows were all sold out. Great for Samantha Martin, the creator of the show, but bad for me. Hopefully they will come back again. Are you happy now, Mrs. Sauce?