Security cameras: they’re everywhere, right? You’re probably starring in a security film right now. There are people whose job it is to stare at security footage all day and night, and so for my cartoon that appears in this week’s New Yorker I had the idea to essentially take that scene – people staring at a bank of security screens – and give it a caption that made it into something different. Kind of like I did with this, a few years ago:
Below is the sketch that I had initially drawn. If you can read my scrawl you can see that I had written that the security guy was not, in fact, on the job watching security footage, but was in the break room watching noir films. It made humorous sense to me that the folks who watch grainy footage of dimly lit hallways and empty parking lots would, in their free time, be drawn to films with shadowy interiors and darkened street corners. But my fellow cartoonist Paul Noth suggested to me that it made even more humorous sense that they would be watching “classic” security footage instead, for whatever reason.
I knew Paul was right. Not just because he sits around in his own free time and watches hours of classic security videos on the Hidden Camera Channel, which he often does, but also because he’s got great comic instincts. And so I went with that. I hated the first draft of the finished art work that I did
so I did another version that I was a lot happier with, and voilá: