I don’t know anything about wine (although I did this cartoon about the language of wine). I prefer whiskey, honestly. But sometimes you have to buy a bottle of wine. And when I do, I’m just as likely to be influenced by the label as anything else, because – yeah, art. I made a list over at Curator about the different categories of wine label design, and what each says about it’s buyer. Read it here.
The 21st Precinct police building, on East 22nd St in New York City, is a long-defunct building targeted for demolition. But before it gets the wrecking ball, it is the temporary home of a plethora of great wall art, curated by Robert Aloia. Brooklyn Street Art has the story behind the exhibit as well as a good documentation of images, so I won’t merely repost anything that you can see there. But I went to the opening this weekend (it is up for one more week) and here are some shots from that. It was hot, crowded, and claustrophobic, but as they wrote at BSA, there aren’t too many things like this in Manhattan. As Gothamist put it, it was “four floors of dope.”
click here to see the rest of this post
I just uploaded a t-shirt design to TeePublic. It’s only $14 today, but will be $20 after. Hey, I think it’s worth it at either price, but why not get it now?
I did an interview with Jeff Thompson last month, which is up at Curator magazine. Officially he’s the Assistant Professor and Program Director of Visual Art Technology at Stephens Institute of Technology, but what that means is that he’s an artist who prefers to mess around with computer code. He does fascinating work. We talked about abusing Photoshop, Twitter bots, Andy Warhol, and why Nokia will probably never hire him to write a ringtone. Check it out!
Filed under Art, Interview
This pylon is going to be here for a long time, because I’ve only just started working on my first children’s book. Did you know that? I suppose I should have made some formal kind of announcement.
ANNOUNCEMENT: I’ve written a children’s book that’s going to be published by Christy Ottaviano Books, an imprint of Henry Holt, some time in 2015.
So yeah, that’s out of the way. I’m illustrating it, too, and I couldn’t be more excited to be doing it. It’s been fun working with Christy so far, even though we’re still in the early stages of nailing down the final product (Christy said “cartoonists are usually good with deadlines,” but I’m wondering if that’s an observation that’s not shared by all in the industry). It doesn’t sound like a huge step up – it’s a 32-page picture book – but it’s definitely a major transition from small black-and-white spot drawings to full pages in color. And at the end of the book the reader can’t say “I don’t get it,” like some people do when they read my cartoons… come on, nobody does that, do they?
I don’t want to say what the book is about, but I wanted to show a teaser of the first part of the process: writing, editing, sketching, rough layouts. There’s also a fair amount of coffee built into each step, but you already know what that looks like.
Even within the framework of a standard picture book, there are different layout options that are available, depending on what you want to do with the story. You can’t just add or subtract a few pages at the end. So that’s the first step. click here to see more pics
I recently did a short interview with Franki Elliot, who often does sidewalk poetry (meaning while sitting on a public sidewalk, not writing poems about sidewalks) using a typewriter. It’s performance art, in a way, without the safety nets of AutoCorrect and, you know – being able to be at home without strangers staring over your shoulder. The horror! But she’s the real deal. The interview is now up at Curator Magazine. Check it out!
In lieu of separate lists, here is a meta-list of the things I enjoyed the most this year (besides Art Basel, which I just wrote about a few days ago), in no particular order.
1. The skittish, slackerish, stream-of-consciousness Ninetiesish punk of Parquet Courts.
2. The graphic stories of Allie Brosh. She portrays herself as some kind of monster who is a crudely amateurish artist. She is neither.
3. This deliciously eye-popping piece of street art from Tristan Eaton in Little Italy, NYC.
click here to see full list