It’s suddenly that time of year when my hand is sticking to the page, because of the humidity. It’s time to break out those cooling summer cartoons! An issue of the New Yorker makes a nice face shield. And you can use the back issues – you know you’ve got them lying around – to cover your other body parts.
I did this one a few years ago and am still waiting for the movie to be made about this summer superhero.
For this week’s issue I thought of a similar idea. Full disclosure: I got my grad school degree in drawing shade. My professors said it was at least 5 degrees cooler than the other students. So it seems like a good thing for me to focus on.
I was already a fan of Fela Soul, Amerigo Gazaway’s full album mashup of Fela Kuti and De La Soul tunes, so when he asked me to do the cover for Yasiin Gaye, the second volume of his project mashing up the music of Mos Def and Marvin Gaye, it took me a hot second to mull it over before saying yes.
The record has something of a backstory. Gazaway’s previous release, Bizarre Tribe, which set the vocals from The Pharcyde over the music of A Tribe Called Quest, met a quick internet death. It was effectively shut down by Sony, who cited copyright infringement despite the fact that Gazaway wasn’t actually sampling ATCQ – he was sampling the same jazz and funk recordings that the Tribe had sampled for their recordings. Big fat irony, right? (For a fantastic documentary on the evolution of the fair use exception in regard to art in general and remix/mashup music in particular, watch RIP: A Remix Manifesto, which features Girl Talk.)
but in the end we chose to make it an airplane or a spaceship, because that seemed to fit better. And it wasn’t going to be so much of an action scene, but more of a conceptual journey, with Gazaway piloting Yasiin Bey and Marvin Gaye to new heights as they confabbed about their new venture.
and after a few drafts it came together nicely.
For the reverse side click here to finish reading this post
I did an interview with Jeff Thompson last month, which is up at Curator magazine. Officially he’s the Assistant Professor and Program Director of Visual Art Technology at Stephens Institute of Technology, but what that means is that he’s an artist who prefers to mess around with computer code. He does fascinating work. We talked about abusing Photoshop, Twitter bots, Andy Warhol, and why Nokia will probably never hire him to write a ringtone. Check it out!
Cash For Your Warhol and I thought this sign needed a little rearranging. Just a little. A car load? Detergent? Get it?
Where did the last two weeks go?
Oh yeah – now I remember. I was in Austria, along with Matthew Diffee and Paul Noth. We were asked to come host a symposium in Wels with a bunch of other very talented cartoonists from Austria and Germany, and so we did, after one of us was – ahem – detained by the Swiss police over passport issues.
On the way there, we did our Fisticuffs! show in Linz, Austria, as part of the Next Comic Festival at the university.
And although the battle was fierce, we all lived. (Which is true, but we also suffered head wounds from getting kicked by a large cartoon boot).
So we moved on to our symposium in Wels. It was an honor, but also somewhat intimidating, to be “teaching” to people who were pretty accomplished in their own right.
Luckily, there was no awkwardness whatsoever. I think we all appreciated everybody else’s talents and it became a big, goofy hangout session, which I thoroughly enjoyed. However, we had the theatre at the Medien Kultur Haus booked click here to finish reading this post